Showing posts with label Bill Murray. Show all posts
Showing posts with label Bill Murray. Show all posts

Sunday, July 15, 2012

Moonrise Kingdom

Wes Anderson's Moonrise Kingdom is easily one of the best films I've seen this year: funny, poignant, inventive. I still prefer Anderson's The Royal Tenenbaums, Rushmore and Fantastic Mr. Fox, but the new one's right up there. I love the devotion that Edward Norton's character has for the Khaki Scouts (i.e., the Boy Scouts), and, in fact, as an old Eagle Scout myself, I found pretty much everything about the Khaki Scouts to be funny.  I also love the way a certain character (I won't say which one) gradually emerges as the movie's true hero. I think Kingdom was influenced by Anderson's work on the animated Mr. Fox in that the characters in the new film are a lot like animated characters or puppets. The actors' performances are deliberately simple. Bill Murray, for example, is perfectly fine in his role, but his character doesn't have the complexity or personal style of a typical Bill Murray character. The role would have been exactly the same had, say, Jeff Bridges or Jeff Daniels played it. Which, again, is deliberate and just what this material requires. My guess is that Anderson may eventually return to animation.

Monday, May 28, 2012

Lanewatch

Bill Murray, Frances McDormand, Ed Norton and Bruce Willis in Moonrise Kingdom
Anthony Lane's review of Wes Anderson's Moonrise Kingdom in The New Yorker reminds me that I left out one of his favorite references in my previous posting about him. In addition to Shakespeare, Dickens, 007, royalty, Harry Potter, Lewis Carroll, J.R.R. Tolkien and something European (non-British, often French), this British film critic also likes to reference J.M. Barrie, as he does in the Moonrise Kingdom review. (I also forgot to put Sherlock Holmes on the list, for an even 10.) In addition, his review carries a subtle reference to Shakespeare (the word "tempest" seems carefully chosen for its literary association), as well as to fellow Brits Roald Dahl and Frances Hodgson Burnett. He cites British composer Benjamin Britten, but I guess I have to give him that one: Britten's work is apparently an important element in Moonrise Kingdom.